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189
Saturday 16 March 1963
Panel: Catherine Boyle, Angela Douglas, David Gell, Sid James
Producer: Neville Wortman
Records played:
Punish Her – Mike Preston (Decca) HIT
Walk Like A Man – Four Seasons (Stateside) HIT
Tomorrow Is Another Day – Maureen Evans (Oriole) MISS
Cigarettes And Coffee Blues – Marty Robbins (Fontana) HIT
Them Terrible Boots – Orlons (Cameo Parkway) HIT
Follow The Boys – Connie Francis (MGM) MISS
Misery – Kenny Lynch (HMV) HIT
Say I Won’t Be There – Springfields (Philips) MISS
Can You Forgive Me – Karl Denver (Decca) MISS
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206
Saturday 13 July 1963, 6-6.35pm
Panel: Esma Cannon, Albert Finney, Pip Hinton, Bunny Lewis
Producer: Richard Evans
Records played:
Come On Home – Springfields (Philips) HIT
Don’t Do That – Shane Fenton & the Fentones (Parlophone) HIT
He’s So Near – Maureen Scott (HMV) HIT
Too Late To Worry – Richard Anthony (Columbia) HIT
Not Too Young To Get Married – Bob B Soxx & the Blue Jeans (London) HIT
If I Ruled The World – Terry Lightfoot & his Jazzmen (Columbia) HIT
Busy Doing Nothing – Don Spencer (HMV) MISS
Easier Said Than Done – Essex (Columbia) MISS
Ring Of Fire – Johnny Cash (CBS) MISS
A Fool In Love – Jan Burnette (Oriole) MISS
Wipe Out – Surfaris (London) HIT
Summer Skies And Golden Sands – Overlanders (Pye) HIT
Maureen Scott was a London folk singer spotted by a Disney executive Jimmy Johnson and signed for Buena Vista, released here on HMV.
Albert Finney amateurish alongside Bunny Lewis on Juke Box Jury.
NME 19 July 1963 -
132
Saturday 3 February 1962
Panel: Carole Carr, Denis Norden, Barbara Shelley, Steve Race
Producer: Harry Carlisle
Records played:
Twistin’ The Night Away – Sam Cooke (RCA) HIT
Tell Me What He Said – Helen Shapiro (Columbia) HIT
I’ll See You In My Dreams – Pat Boone (London) MISS
Goodnight Irene – Springfields (Philips) MISS
Let’s Start All Over Again – Shirley Bassey (Columbia) HIT
March Of The Siamese Children – Kenny Ball (Pye) HIT
Love Me Warm And Tender – Paul Anka (RCA) MISS
Don’t Cry On My Shoulder – Connie Francis (MGM) MISS
Spin-A-Disc with Alan Dell: Chip Chip, Baby It’s You, Blue Skies (Johnny Rivers)
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143
Saturday 21 April 1962
Panel: Alma Cogan, Neil Sedaka, Nina and Frederik
Producer: Johnnie Stewart
Records played:
What’d I Say – Bobby Darin (London) HIT
Twist Twist Senora – Gary US Bonds (Top Rank) HIT
Silver Threads And Golden Needles – Springfields (Philips) HIT
Tavern In The Town – Terry Lightfoot (Columbia) HIT
Let’s Talk About Love – Helen Shapiro (Columbia) HIT
Time Beat – Ray Cathode (Parlophone) MISS
Tears Broke Out On Me – Eddy Arnold (RCA) HIT
Cowboy Jock From Skye – Andy Stewart (Top Rank) MISS
Shake The Hand Of A Fool – Johnny Hallyday (Philips) HIT
In a Persian Market – Cy Laurie HIT
Ray Cathode aka George Martin. Press report headlined Electronic Sounds as it made use of the Radiophonic Workshop
Spin-A-Disc with Alvin Twist (Chipmunks), Tears Broke Out On Me (Eddy Arnold) and Shake The Hand Of A Fool (Johnny Hallyday, Philips)
Listening to Helen Shapiro on Juke Box Jury, Alma Cogan thought it was a boy.
Alley Cat, 4 May 1962 -
158
Saturday 4 August 1962
Panel: Rose Brennan, Brian Rix, Jimmy Young, Susan Hampshire
Producer: Johnnie Stewart
Records played:
Yesterday (check title) – Polka Dots (Philips) MISS
Seven Day Weekend – U S Bonds (Stateside) HIT
Steptoe And Son – Geoff Love (Columbia) HIT
Goody Goody – Frank Sinatra (Reprise) MISS
The Cure – Smitty Williams (MGM) MISS
I Sat Back And Let It Happen – Leroy Van Dyke (Mercury) HIT
Swahili Papa – Springfields (Philips) HIT
Sealed With A Kiss – Brian Hyland (HMV) HIT
Little Sue – Dowlands (Oriole) MISS
Producer Neville Wortman had joined the BBC after a spell as a cartoonist for ITV and time on Cool For Cats: “I was hoping to ease my way into the BBC. Twist had become one of the rages and I was going to direct a programme on that with Barry Lupino whose sister was Ida Lupino, the American film star. He got smashed up in a car accident and Johnnie Stewart was brought in. He had been doing Juke Box Jury and so he came out of that. The twist didn’t last very long and nor did the show. It was nicely shot though, a good show.”
Producer Neville Wortman: “I was asked to pick it up as it had got very staid. It had become more of a family show than something for teenagers. Bill Cotton Jr and I were the two youngest producers at the BBC – I was just under 30.”
Producer Neville Wortman: “I was determined to get more interesting panellists on Juke Box Jury, some people who had a real interest in popular music. I tried to build up really good panels and I filmed it in a different way too as I placed the cameras in unusual positions. I featured a lot more of the audience and got their expressions. We used to look for characters and I would get people out looking for characters whom we could invite to the show. We would walk to someone in the street and say, “Please come”. We were fighting head on with Thank Your Lucky Stars. They had a great style of programming for teenagers and I knew Philip Jones very well. They had a very stylish programme and Juke Box Jury wasn’t that. We were fighting for our lives with that programme. The BBC wanted to grab an audience at six and they thought that if you had them then, you should have them through the evening.”
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174
Saturday 24 November 1962
Panel: Arther Askey, Dora Bryan, Kenneth Mars, Jean Metcalfe, Bobby Vee
Producer: Neville Wortman (Actually, Presented by…)
Records played:
Return To Sender – Elvis Presley (RCA) HIT
Island Of Dreams – Springfields (Philips) MISS
The Next Time – Cliff Richard (Columbia) HIT
Fly Me To The Moon – Joe Harnell & his Orchestra (London) MISS
All Through The Night – Lynne Adams (Ember) MISS
Baby Take A Bow – Adam Faith (Parlophone) HIT
Where Have All The Flowers Gone – George Mitchell Singers (HMV) MISS
Don’t Light The Fire ’Til After Santa’s Gone – Terry Scott (Parlophone) MISS
Happiness Tree – Norman Vaughan (Pye) MISS
If You Were A Rock’n’Roll Record – Freddy Cannon (Stateside) HIT
Scott’s record was a B-side: A-side was My Brother.
Askey paid 30g, date given is 23.11.62
DailyMirror, 271162
The BBC dropped plans to replace JBJ with a big teenage show. The intention was to have a 45 minute show on the 6.5 Special formula with a 15 minute “disc verdict”. After looking a try out with guest star Bobby Vee, and The John Barry Orchestra, Tom Sloan decided to keep JBJ as it was.JBJ used to be from the Television Theatre but it is now produced from a studio at the Television Centre with only 100 seats. The waiting list for tickets closed in January and people have been waiting about a year for tickets.
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116
Saturday 21 October 1961
Panel: Adam Faith, Alan Freeman, Helen Shapiro, Jane Asher
Producer: Johnnie Stewart
Records played:
His Latest Flame – Elvis Presley (RCA)
Heartaches – Marcels (Pye)
Fool No 1 – Brenda Lee (Brunswick)
Sewers Of The Strand – Spike Milligan (Parlophone)
Bambino – Springfields (Philips)
Tomorrow’s Clown – Marty Wilde (Philips)
My Friend The Sea – Petula Clark (Pye)
Bridge Of Love – Joe Dowell ()
Time Has Come – Adam Faith (Parlophone)
Do It Yourself – Josh MacRae (Pye)
Spin-A-Disc: Take Good Care Of My Baby, Fool No.1, His Latest Flame
From 1961 there was the innovation of the Hot Seat, where one of the artists whose records had been reviewed would be interviewed, one the first of these being Spike Milligan. His record was Sideways Through the Sewers of the Strand, though it is hard to imagine that the discussion stayed on the subject in hand for long, given Milligan’s propensity for anarchy. Both Helen and Jane were 15.
“If my home is anything to judge by, everything stops for Juke Box Jury and every schoolboy can name 20 pop singers, even if he remains lamentably ignorant of the name of the Prime Minister, or the advantages and disadvantages of joining the Common Market.”
The Times, “From a correspondent”Helen Shapiro: “You had no idea what they were going to play and you heard the tracks for the first time live on air. I loved doing that. It was great fun. It was not like now when everybody slags off everybody else. We were much nicer in those days and if you didn’t care for something you said it in a nice way, but I thoroughly enjoyed doing it.”
Mike McCartney: “We watched Juke Box Jury religiously, especially when Jane Asher was. She was young, beautiful, had a well-cultured, Dad-admired accent and when she smiled, the set lit up. Paul and I both fancied her.”
Jane’s agent, Neil Landor: “She is vivacious, articulate, and really enjoys pop music and has very definite views on what she likes and dislikes plus the ability to express them intelligently.”